| Type de document : | Ouvrage |
| Titre : | Manus X Machina |
| Auteurs : | BOLTON Andrew, Auteur ; Nicholas Alan COPE, Photographe |
| Editeur : | New York : METROPOLITAN MUSEUM OF ART, 2016 |
| Langues | Anglais |
| Format : | 247 p. |
| ISBN/ISSN/EAN : | 978-1-58839-592-4 |
| Mots-clés : |
Géographique NEW YORKNom Commun ARTISANAT METIERS D ART ; CREATEUR ; EXPOSITION ; HAUTE COUTURE ; MACHINE TEXTILE ; PROCEDE DE FABRICATION |
| Résumé : | The Costume Institute's spring 2016 exhibition explores how fashion designers are reconciling the handmade and the machine-made in the creation of haute couture and avant-garde ready-to-wear. With more than 170 ensembles dating from the early 20th century to the present, the exhibition addresses the founding of the haute couture in the 19th century, when the sewing machine was invented, and the emergence of a distinction between the hand (manus) and the machine (machina) at the onset of mass production. It explores this ongoing dichotomy, in which hand and machine are presented as discordant tools in the creative process, and questions the relationship and distinction between haute couture and ready-to-wear. (Note de l’éditeur) |
Exemplaires (1)
| Cote | Support | Localisation | Section | Disponibilité |
|---|---|---|---|---|
| 2.1.7 - 8219 | Ouvrage | Bibliothèque IFM | 2.1.7 Luxe / Haute couture | Disponible |
